Archive for Pieter

Pieter Plays the River, Ed Reyes River Greenway, October 26, 2014

Posted in photo essays with tags , , on November 13, 2014 by Carol Cheh
All photos by John Tain

All photos by John Tain

From Pieter’s press release: “As part of Play the LA River’s year of riverside programming, Pieter Performance Space presents a day of dance and performance at Ed Reyes River Greenway in Lincoln Heights. Pieter is located near the confluence of the LA River and Arroyo Seco, where industrial and residential spaces meet a vibrant urban aquatic landscape. Pieter is commissioning site-responsive choreographed works, improvisations, interactive happenings, and a free community yoga class, to be presented as part of an afternoon of riverside art.”

Some of the works in the event are captured in the photos that follow. Thank you to JOHN TAIN for supplying the photos, and Allison Wyper and Maya Gingery for help with the captions. Pieter Plays the River was co-produced by Pieter and Project 51.

Option - option, choreographed by Harriet Bailey. Dancers: Laura Berg, Lindsey Lollie, Jordan Saenz, Gracie Whyte.

Option – option, choreographed by Harriet Bailey. Dancers: Laura Berg, Lindsey Lollie, Jordan Saenz, Gracie Whyte.

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an Evening of Ice Bergs

Posted in Documents on Dance, guest blog posts with tags , , on June 6, 2014 by Chloë Flores
Courtesy of Pieter

Courtesy of Pieter

In January, Governor Jerry Brown officially declared a drought emergency in California and the exhibition Facing the Sublime in Water, CA at the Armory Center for the Arts closed. The following month Silver Lake residents debated the fate of Ivanhoe Reservoir amid DWP plans to phase out open-air reservoirs, while figure skating and short track speed skating events were underway at Iceberg Skating Palace for the Sochi 2014 Winter Olympics. The icebergs are thawing.

Simone Forti has been “working with news” since the mid-1980s, so it felt natural that these and other concurrent local, national and global newsworthy events came to mind while watching her and Rae Shao-Lan’s dance performance, an Evening of Ice Bergs, at Pieter on February 24, 2014. (Tashi Wada performed the well-accompanied score.)

I watched the performance in various states of enjoyment, even giggling at times—a response that typically makes its way into my experience of Forti’s work. Yet, when I sat down to address my notes, something about my experience troubled me. Continue reading